giant steppes

 

Cover photo of Tuva by Dennis Rea

MoonJune stalwart Dennis Rea (Moraine, Iron Kim Style, Zhongyu) continues his series of “musical travelogues” with Giant Steppes, a boldly unconventional exploration of Central Asian music that follows on from his acclaimed 2010 MoonJune release Views From Chicheng Precipice. The album also comes with Rea's companion book Tuva and Busted, available as a free download from Blue Ear Books.

Recorded over several years in Seattle and Siberia, Giant Steppes is the ever-unpredictable guitarist/composer/arranger's most ambitious album so far, interpolating Silk Road desert airs, Russian choral songs, Tuvan throat singing, and mutant Tibetan pop with a gleeful yet respectful disregard for genre purity. The album is all over the map both geographically and sonically, mingling jazz, heavy prog, krautrock, surf, electroacoustic soundscapes, and field recordings and showcasing such formidable musicians as Tuvan singer Albert Kuvezin (Yat Kha), celebrated Russian choral ensemble Juliana & PAVA, badass bassist Wadim Dicke, trumpet mage Greg Kelley, Rea's 1970s Earthstar bandmate Daniel Zongrone, and Seattle treasures Steve Fisk, Doug Haire, Stuart Dempster, Dick Valentine, Don Berman, Greg Campbell, Brian Oppel, and Greg Powers.

What's more, Giant Steppes is paired with Rea's companion book Tuva and Busted, a joint publication made available for free by MoonJune Records and Blue Ear Books. In the manner of his previous book Live at the Forbidden City, this richly illustrated account relates the improbable tale of how an early interest in Tuvan music eventually led, via two MuzEnergo tours of Russia, to Rea performing in the remote republic, collaborating with distinguished Tuvan musicians, and even acting as a judge in a throat-singing competition. The book includes expanded liner notes for Giant Steppes that detail each album track’s origin and making. Tuva and Busted is available now as a free eBook from Blue Ear Books.

In Rea's words:
Just as my 2010 MoonJune Records release Views from Chicheng Precipice was an unorthodox sonic love letter to East Asia’s traditional music, Giant Steppes takes a similarly capricious look at traditional and modern music from Central Asia – in this case the Uyghur homeland of Xinjiang, the Altai and Tuva regions of Russia, and Tibet – as viewed through the lens of my personal experiences in these places and my own mongrel musical interests. It is not an attempt at authenticity but an earnest inquiry into the enticing possibilities suggested by its musical and geographical sources. I’m humbled by the generosity of spirit of my collaborators, and dedicate this music with love and respect to the landscapes, people, and wildlife of the heart of Asia.

Giant Steppes

Dennis Rea

MoonJune stalwart Dennis Rea (Moraine, Iron Kim Style, Zhongyu) continues his series of “musical travelogues” with Giant Steppes, a boldly unconventional exploration of Central Asian music that follows on from his Read more
MoonJune stalwart Dennis Rea (Moraine, Iron Kim Style, Zhongyu) continues his series of “musical travelogues” with Giant Steppes, a boldly unconventional exploration of Central Asian music that follows on from his acclaimed 2010 MoonJune release Views From Chicheng Precipice. The album also comes with Rea's companion book Tuva and Busted, available as a free download from Blue Ear Books at https://blueearbooks.com/books/tuva-and-busted

Recorded over several years in Seattle and Siberia, Giant Steppes is the ever-unpredictable guitarist/composer/arranger's most ambitious album so far, interpolating Silk Road desert airs, Russian choral songs, Tuvan throat singing, and mutant Tibetan pop with a gleeful yet respectful disregard for genre purity. The album is all over the map both geographically and sonically, mingling jazz, heavy prog, krautrock, surf, electroacoustic soundscapes, and field recordings and showcasing such formidable musicians as Tuvan singer Albert Kuvezin (Yat Kha), celebrated Russian choral ensemble Juliana & PAVA, badass bassist Wadim Dicke, trumpet mage Greg Kelley, Rea's 1970s Earthstar bandmate Daniel Zongrone, and Seattle treasures Steve Fisk, Doug Haire, Stuart Dempster, Dick Valentine, Don Berman, Greg Campbell, Brian Oppel, and Greg Powers.

What's more, Giant Steppes is paired with Rea's new companion book Tuva and Busted, a joint publication made available for free by MoonJune Records and Blue Ear Books. In the manner of his previous book Live at the Forbidden City, this richly illustrated account relates the improbable tale of how an early interest in Tuvan music eventually led, via two MuzEnergo tours of Russia, to Rea performing in the remote republic, collaborating with distinguished Tuvan musicians, and even acting as a judge in a throat-singing competition. The book includes expanded liner notes for Giant Steppes that detail each album track’s origin and making. Tuva and Busted is available now as a free eBook from Blue Ear Books.

In Rea's words:
Just as my 2010 MoonJune Records release Views from Chicheng Precipice was an unorthodox sonic love letter to East Asia’s traditional music, Giant Steppes takes a similarly capricious look at traditional and modern music from Central Asia – in this case the Uyghur homeland of Xinjiang, the Altai and Tuva regions of Russia, and Tibet – as viewed through the lens of my personal experiences in these places and my own mongrel musical interests. It is not an attempt at authenticity but an earnest inquiry into the enticing possibilities suggested by its musical and geographical sources. I’m humbled by the generosity of spirit of my collaborators, and dedicate this music with love and respect to the landscapes, people, and wildlife of the heart of Asia.

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About the free e-book Tuva and Busted
https://blueearbooks.com/books/tuva-and-busted

Published as a companion book to his musical album Giant Steppes, Dennis Rea’s Tuva and Busted is a free eBook available as a joint publication courtesy of Blue Ear Books in partnership with MoonJune Records. In the manner of his previous book Live at the Forbidden City, this richly illustrated account relates the improbable tale of how an early interest in music from the tiny republic of Tuva in remote Central Asia eventually led, via two MuzEnergo tours of Russia, to Rea performing in Tuva, collaborating with distinguished Tuvan musicians, and even acting as a judge in a throat-singing competition. The book also offers expanded liner notes for Rea’s brilliant new album Giant Steppes, detailing each track’s origin and making. Tuva and Busted is available now as a free eBook from Blue Ear Books.

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Dennis Rea short bio:

Active since the mid-1970s, guitarist-composer-arranger Dennis Rea has led or been a key contributor to such innovative groups as Moraine, Iron Kim Style, Zhongyu, LAND, Savant, and Earthstar and has worked with such prominent creative musicians as Hector Zazou, Stuart Dempster, Cui Jian, Albert Kuvezin, Klaus Schulze, Han Bennink, Hawkwind members Nik Turner and Michael Moorcock, and members of King Crimson, R.E.M., Pearl Jam, Soundgarden, Santana, Ministry, and the Sun Ra Arkestra. He has performed widely throughout the U.S. and in China, Russia, Germany, the UK, Taiwan, and Mexico. He has appeared on roughly 40 recordings to date for MoonJune Records and other labels. He is also the author of Live at the Forbidden City: Musical Encounters in China and Taiwan, a chronicle of his adventures as one of the earliest progressive Western musicians to perform in China, and Tuva and Busted, an account of his further musical peregrinations in Central Asia. Rea's work has increasingly focused on bridging musical traditions from around the globe in personalized ways, as shown on his landmark albums Views From Chicheng Precipice and Giant Steppes.

"Dennis Rea's adventurous guitar playing blends jazz, rock, experimental, and world music into a unique vocabulary, marked by haunting lyricism, enigmatic textures, agile improvisation, and the raw dynamism of rock."

press

In-depth Prog Archives review by Raffaella Berry

"a formidable ethnographic testimony, which leaves a feeling of grandeur concerning the peoples of these immense steppes. Yes, yes, yes, in just four tracks and fifty minutes, Dennis Rea has made this Giant Steppes album as magnificent as it is imposing." - Rhythmes Croises (France)

"like cultural anthropology set to music - but without any academic or just intellectual touch, but deeply spiritual, tending to be melancholic and with the character of an intimate soundtrack. … Almost indescribable "World Music" in the truest sense of the word!" - Muzikreviews.de (Germany)

"Rea did ... the maximum possible so that his work was not considered an ordinary Western gloss with oriental exoticism as an ornament. His careful highlighting of the original melodies is clear evidence of a respectful exploratory attitude towards the material. Connecting with all kinds of sound experiments, Central Asian songs are woven into the musical space." - Jazzist (Russia)

"...collecting elements of different original songs in one composition and decorating them with instruments not characteristic of these cultures (saxophone, electric guitar). At the same time, he treats the original material with genuine solicitude, trying in his readings not so much to impose his author's will as a virtuoso musician, as to work within the framework set by folklore."- Makers of Siberia (Russia)

"full of intense moments both in the simplest and most essential phases of the pentatonic riffs, and in the more abstract and closer to the roots developments from which this sonic journey takes force, producing a renewed and respectful musical expression at the same time ... Among the best releases of 2021 at the moment." - La Luna di Alfonso (Italy)

"If you like albums that explore new territories you will appreciate the canvas of sounds presented in Giant Steppes. If you like albums that meld different styles and culturally tinged musical idioms into something that is quite idiosyncratic, you may find yourself doing a jig of delight after listening to this interesting fusion of Western music, folk and contemporary music associated with the region of Central Asia. ... If you like albums that utilize seldom heard instruments then much of Giant Steppes will impress. With its unusual array of sounds and skillful amalgam of styles, it is certainly able to take the listener to the outer limits of the imagination." - Dutch Progressive Rock Page (Netherlands)

"The original character is preserved, as are the age-old style and structure elements. Together with his fellow musicians, he carefully transposes this heritage to the border areas between east and west. As if electric guitars together with alto and soprano saxophones were originally conceived to play this repertoire. Even the sparse electro effects fit completely into the frame. The self-recorded 'field recordings' in this way give the whole an almost sacred aura." - Jazz Halo (Belgium)

"one of the most adventurous and exciting world fusion jazz rock albums I know. An album that you can play endlessly and in which you keep discovering something new – an absolute treasure chest of an album." - Moors Magazine (Netherlands)

"Giant Steppes is special material, a musical expedition to landscapes where jazz has rarely ventured so far." - Jazz Ma (Hungary)

"[Rea] treats the original material with genuine solicitude, trying in his readings not so much to impose his author's will as a virtuoso musician on them, as to work within the framework set by folklore. … music looking back and forth at the same time, deep into traditions and into an imaginary future in which there are simply no boundaries between cultures." - Colta (Russia)

" ...incredibly sonically attractive. The pieces are spatial, at the same time showing the cavernous stretches of the Asian steppe. … Each track is a new experience, a different musical landscape showing the wildness of the heart of Asia. Giant Steppes is a kind of guide to the music of one of the most mysterious and not fully known regions of our globe. Dennis Rea, thanks to his dedication to the tradition of Central Asia, presents material that is not only original, but also authentic, and reliably reflects the aura accompanying Asian cultures." - laboratorium muzycznych fusz (Poland)

“he has taken these influences and styles and mixed them with a modern Western jazz approach which allows for some incredible fusion … and it succeeds in a remarkable manner. There really is no limit to what is possible, and he combines different genres in a way which makes no sense at all on paper but certainly does sonically, mingling jazz, heavy prog, krautrock, surf, electroacoustic soundscapes, and field recordings together into something which is both strange and welcoming all at the same time. This is not something that can be played in the background, but instead the listener needs to allow themselves to be immersed in the performance.” - Progressor (New Zealand)